{"id":16276,"date":"2025-06-12T15:30:31","date_gmt":"2025-06-12T13:30:31","guid":{"rendered":"https:\/\/www.portier-asianart.com\/?post_type=objets&#038;p=16276"},"modified":"2026-04-08T16:10:56","modified_gmt":"2026-04-08T14:10:56","slug":"audap-associes-12-juin-2025","status":"publish","type":"objets","link":"https:\/\/www.portier-asianart.com\/en\/objets\/audap-associes-12-juin-2025\/","title":{"rendered":"Audap &amp; Associ\u00e9s 12 juin 2025"},"content":{"rendered":"\n<div class=\"wp-block-stackable-columns stk-block-columns stk-block stk-c31b8b5\" data-block-id=\"c31b8b5\"><style>.stk-c31b8b5 {align-items:flex-start !important;padding-right:35px !important;padding-left:35px !important;margin-right:8px !important;margin-left:8px !important;display:flex !important;}<\/style><div class=\"stk-row stk-inner-blocks stk-block-content stk-content-align stk-c31b8b5-column\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-1caa82b\" data-v=\"4\" data-block-id=\"1caa82b\"><style>@media screen and (min-width: 768px){.stk-1caa82b {flex:var(--stk-flex-grow, 1) 1 calc(66.66699999999999% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-1caa82b-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-1caa82b-inner-blocks\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<figure class=\"wp-block-image size-full is-style-zoooom\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"929\" src=\"https:\/\/www.portier-asianart.com\/v2\/wp-content\/uploads\/2025\/06\/747.png\" alt=\"\" class=\"wp-image-16277\" srcset=\"https:\/\/www.portier-asianart.com\/v2\/wp-content\/uploads\/2025\/06\/747.png 683w, https:\/\/www.portier-asianart.com\/v2\/wp-content\/uploads\/2025\/06\/747-221x300.png 221w, https:\/\/www.portier-asianart.com\/v2\/wp-content\/uploads\/2025\/06\/747-600x816.png 600w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"689\" height=\"935\" src=\"https:\/\/www.portier-asianart.com\/v2\/wp-content\/uploads\/2025\/06\/2648.png\" alt=\"\" class=\"wp-image-16286\" srcset=\"https:\/\/www.portier-asianart.com\/v2\/wp-content\/uploads\/2025\/06\/2648.png 689w, https:\/\/www.portier-asianart.com\/v2\/wp-content\/uploads\/2025\/06\/2648-221x300.png 221w, https:\/\/www.portier-asianart.com\/v2\/wp-content\/uploads\/2025\/06\/2648-600x814.png 600w\" sizes=\"auto, (max-width: 689px) 100vw, 689px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"679\" height=\"933\" src=\"https:\/\/www.portier-asianart.com\/v2\/wp-content\/uploads\/2025\/06\/2222222.png\" alt=\"\" class=\"wp-image-16283\" srcset=\"https:\/\/www.portier-asianart.com\/v2\/wp-content\/uploads\/2025\/06\/2222222.png 679w, https:\/\/www.portier-asianart.com\/v2\/wp-content\/uploads\/2025\/06\/2222222-218x300.png 218w, https:\/\/www.portier-asianart.com\/v2\/wp-content\/uploads\/2025\/06\/2222222-600x824.png 600w\" sizes=\"auto, (max-width: 679px) 100vw, 679px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<p><strong>Lot <\/strong>3<\/p>\n\n\n\n<p><strong>Suzuki Harunobu (Japon, 1725-1770)<\/strong><\/p>\n\n\n\n<p>Trois estampes, <em>chuban tate-e<\/em>, d&#8217;une s\u00e9rie anonyme sur les <em>Trois Po\u00e8mes Vesp\u00e9raux (Sanseki waka<\/em>). Sign\u00e9s<em> Suzuki Harunobu ga<\/em>. 1766-1767. (Petites restaurations). Dim. 28,2 x 20,4 cm<\/p>\n\n\n\n<p>Ces trois gravures font partie d&#8217;une s\u00e9rie sans titre de trois estampes illustrant les Trois Soir\u00e9es, chaque composition pr\u00e9sentant un cartouche rectangulaire contenant des vers de la quatri\u00e8me section du <em>Shin Kokinshu<\/em> (une anthologie de po\u00e9sie waka compil\u00e9e en 1206). Ces compositions sont des r\u00e9interpr\u00e9tations d&#8217;une estampe de Nishikawa Sukenobu (1671- v. 1750): <em>Ehon Yamatoi hiji <\/em>(1735-42), preuve int\u00e9ressante de la dette d&#8217;Harunobu pour le ma\u00eetre.<\/p>\n\n\n\n<p><em>Soir\u00e9e pr\u00e8s des marais<br><\/em>Dans cette composition, un homme debout lit attentivement une lettre, une femme \u00e0 ses pieds tient un shamisen. instrument associ\u00e9 aux maisons de plaisir. Le po\u00e8me apparaissant ici dans les cadres est une compositions du po\u00e8te m\u00e9di\u00e9val Saigyo Hoshi (1118-90):<\/p>\n\n\n\n<p><em>Kokoro naki<br>mi ni mo aware wa<br>shirarekeri<br>shigi tatsu sawa n<br>o aki no yugure<\/em><\/p>\n\n\n\n<p>Contre ma volont\u00e9, un<br>sentiment de m\u00e9lancolie a<br>envahi mon coeur\u2026<br>sur le marais o\u00f9 le b\u00e9cassine s&#8217;envole<br>\u00e0 l&#8217;automne, au cr\u00e9puscule.<\/p>\n\n\n\n<p>Shin kokinshu IV, 362 (Kokka Taikan, Matsushita Daisaburo et al. 2 Vols. Tokyo: Kawai Matsudaira, 1903, p. 178)<\/p>\n\n\n\n<p><em>Courtisane lisant<br><\/em>Dans la deuxi\u00e8me, une femme allong\u00e9e lit un album, appuy\u00e9e sur son coude, une autre se tient, regardant l&#8217;horizon, une pipe \u00e0 la main. Le po\u00e8me apparaissant ici dans les cadres est une compositions du po\u00e8te m\u00e9di\u00e9val Jakuren Hoshi (1139 &#8211; 1202):<\/p>\n\n\n\n<p><em>Sabishisa wa<br>sono iro to shi mo<br>nakarikeri<br>maki tatsu yama no<br>aki no yugure<\/em><\/p>\n\n\n\n<p>Solitude \u2014<br>m\u00eame la chaleur des couleurs<br>en est absente\u2026<br>l\u00e0 o\u00f9 poussent les sapins noirs, les montagnes<br>\u00e0 l&#8217;automne, au cr\u00e9puscule.<\/p>\n\n\n\n<p>Shin kokinshu IV, 361 (Kokka Taikan, Matsushita Daisaburo et al. 2 Vols. Tokyo: Kawai Matsudaira, 1903, p. 178)<\/p>\n\n\n\n<p><em>Courtisanes pr\u00e8s de l&#8217;eau<br><\/em>Deux femmes sur une terrasse projet\u00e9e au dessus d&#8217;une \u00e9tendue d&#8217;eau. L&#8217;une assise s&#8217;appuie \u00e0 la balustrade, tenant une pipe, l&#8217;autre debout, regarde au loin avec la premi\u00e8re. Le po\u00e8me apparaissant ici dans les cadres est une compositions du po\u00e8te m\u00e9di\u00e9val Gonchunagon Sadaie (1162 &#8211; 1241):<\/p>\n\n\n\n<p><em>Miwataseba<br>hana mo momoiji mo<br>nakarikeri<br>ura no tomaya no<br>aki no yugure<\/em><\/p>\n\n\n\n<p>Autant que le regard<br>porte, ni floraison ni<br>\u00e9rable rouge n&#8217;y sont pr\u00e9sents\u2026<br>seule une hutte de chaume pr\u00e8s du rivage<br>\u00e0 l&#8217;automne, au cr\u00e9puscule.<\/p>\n\n\n\n<p>Shin kokinshu IV 363 (Kokka Taikan, Matsushita Daisaburo et al. 2 Vols. Tokyo: Kawai Matsudaira, 1903, p. 178)<\/p>\n\n\n\n<p>Sur celles-ci, les maisonnettes sont des reprises de Sukenobu.<\/p>\n\n\n\n<p>Traductions issues de Harunobu and His Age, D.B. WATERHOUSE, The British Musuem, 1964, Londres, pp. 100-105.<\/p>\n\n\n\n<p>R\u00e9f\u00e9rence:<\/p>\n\n\n\n<p>Deux tirages similaires de cette s\u00e9rie sont conserv\u00e9s au Museum of Fine Arts, Boston, accession n\u00b0 34.348 &amp; 11.19455.<br><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n<\/div>\n<\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-a9fa0a2\" data-v=\"4\" data-block-id=\"a9fa0a2\"><style>.stk-a9fa0a2 {align-self:flex-start !important;}.stk-a9fa0a2-inner-blocks{justify-content:flex-start !important;}.stk-a9fa0a2-container{background-color:var(--theme-palette-color-7, #f1f1f1) !important;border-style:solid !important;border-color:var(--theme-palette-color-2, #C8D6E8) !important;padding-top:20px !important;padding-right:20px !important;padding-bottom:20px !important;padding-left:20px !important;}.stk-a9fa0a2-container:before{background-color:var(--theme-palette-color-7, #f1f1f1) !important;}@media screen and (min-width: 768px){.stk-a9fa0a2 {flex:var(--stk-flex-grow, 1) 1 calc(33.33300000000001% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-a9fa0a2-container stk-hover-parent\"><div class=\"stk--column-flex stk-block-content stk-inner-blocks stk-a9fa0a2-inner-blocks\">\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-0bf226d\" id=\"adjuge\" data-block-id=\"0bf226d\"><style>.stk-0bf226d .stk-block-heading__text{font-family:\"Barlow\", Sans-serif !important;}<\/style><h4 class=\"stk-block-heading__text stk-block-heading--use-theme-margins\">Adjug\u00e9 : <\/h4><\/div>\n\n\n\n<p class=\"has-palette-color-1-color has-text-color has-large-font-size\">65.000 euros<\/p>\n<\/div><\/div><\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Lot 3 Suzuki Harunobu (Japon, 1725-1770) Trois estampes, chuban tate-e, d&#8217;une s\u00e9rie anonyme sur les Trois Po\u00e8mes Vesp\u00e9raux (Sanseki waka). Sign\u00e9s Suzuki Harunobu ga. 1766-1767. (Petites restaurations). Dim. 28,2 x 20,4 cm Ces trois gravures font partie d&#8217;une s\u00e9rie sans titre de trois estampes illustrant les Trois Soir\u00e9es, chaque composition pr\u00e9sentant un cartouche rectangulaire contenant [&hellip;]<\/p>\n","protected":false},"featured_media":16277,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16276","objets","type-objets","status-publish","format-standard","has-post-thumbnail","hentry"],"blocksy_meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.portier-asianart.com\/en\/wp-json\/wp\/v2\/objets\/16276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.portier-asianart.com\/en\/wp-json\/wp\/v2\/objets"}],"about":[{"href":"https:\/\/www.portier-asianart.com\/en\/wp-json\/wp\/v2\/types\/objets"}],"version-history":[{"count":4,"href":"https:\/\/www.portier-asianart.com\/en\/wp-json\/wp\/v2\/objets\/16276\/revisions"}],"predecessor-version":[{"id":18480,"href":"https:\/\/www.portier-asianart.com\/en\/wp-json\/wp\/v2\/objets\/16276\/revisions\/18480"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.portier-asianart.com\/en\/wp-json\/wp\/v2\/media\/16277"}],"wp:attachment":[{"href":"https:\/\/www.portier-asianart.com\/en\/wp-json\/wp\/v2\/media?parent=16276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}